
Sage on Stage: All the world’s a stage . . .
Sage on Stage: An enthusiastic fan of the Rogue Theater Company ask how decisions are made artistically to best showcase a production, especially in the choice of stage configuration.
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Sage on Stage: An enthusiastic fan of the Rogue Theater Company ask how decisions are made artistically to best showcase a production, especially in the choice of stage configuration.

Sage on Stage: This is part one of actors’ experiences working as an ensemble, what makes it fun, what makes it fly, and what it does for the audience as well as the actors themselves.

Sage on Stage: Part two of a discussion about actors as chameleons. This time, Jessica Sage interviews Barret O’Brien, to get his thoughts on how actors transition from one character to another.

Sage on Stage: Developing a character is a huge part of the work an actor takes on for any role. Whether a character is a lead role or a supporting personality, the more prepared an actor is to embody a given character, the more easily and more quickly he or she can move in and out of that character’s space. Jessica Sage talks to actor Daniel Molina about his process.

Cat on a Hot Tin Roof delves into the tensions within a wealthy southern family as they gather to celebrate Big Daddy’s birthday, despite his failing health. At the center

Sage on Stage: What grabs Jessica Sage when she sees a director’s work? Passion, insight and empathy. That inspires her and gets her imagination to work.

Sage on Stage: Jessica Sage, artistic director of the Rogue Theater Company, emphasizes the importance of collaboration among all the people involved in a performance. It’s the foundation of a strong, successful production.

Sage on Stage: In this column, Jessica Sage discusses grappling with the subject of suicide in drama — a theme that delves into the deepest questions that arise from the human experience. The latest RTC production, “Gidion’s Knot,” deals with this tragic theme.

Sage on Stage: This month, Jessica Sage reflects on how she develops her characters as an actor. Unsurprisingly, there’s a lot more to it than you might think.

Sage on Stage: This month, Rogue Theater Company Artistic Director Jessica Sage discusses the qualities a great actor needs to enthrall an audience.
John Paul Valdez: The necessity for service model reform in Jackson County is starkly illuminated by the failure of the centralized system to recognize the organic, effective mutual aid operating within sparse communities.
Michael O’Looney: President Donald Trump’s relentless name-calling of those he regards as his adversaries in politics and the media has become something more than a feeble attempt at conjuring up innocuous nicknames. Besides being childish and unimaginative, his slurs have become methodically vicious.
Public hearings on a pair of projects, one in a quiet residential neighborhood along Scenic Drive and the other in a busy commercial area near Shop’n Kart grocery market are set before the Ashland Planning Commission Tuesday, Dec. 9.
The Ashland City Council on Tuesday, Dec. 2, took steps to repurpose two city-owned properties — the 846-acre Imperatrice property and the 380 Clay St. parcel — as part of a broader effort to rein in city finances.
Concert violinist Carla Ecker moves in a steady triangle between Phoenix, Arizona; Santa Fe, New Mexico; and the Rogue Valley — performing opera, symphony and chamber music.
Don’t miss your chance to experience the Ashland High School production of “Wizard of Oz” in its closing weekend.

(It’s free)