The Journey — a ‘lost’ sculpture now on Water Street

A view of The Journey, showing the figures (from top) of The Wise Old Man, The Hero, The Queen, The Warrior Woman, and The Young Girl. Ashland.news photo by Bert Etling
July 26, 2022

Sculptor Marion Young expresses life’s journey in 12 figures

By Peter Finkle

A sculpture called “The Journey,” depicting 12 characters representative of life’s stages, had quite a journey of its own before it was unveiled at a small ceremony on June 18 at a quiet, park-like location nestled between the Blue Giraffe Spa, Plaza Inn and Suites and Ashland Creek at 51 Water St., just across the creek from the public parking area on Water Street under the Lithia Way overpass.

Marion Young with two of her sculpted heads for Street Scene. Photo via Robyn Michele Jones
The Journey: How it came to be
Street Scene, just outside the Chamber of Commerce office at the corner of East Main and Pioneer streets in Ashland, is the sculpture commission that brought Marion Young to Ashland. Ashland.news photo by Bert Etling

Marion Young moved from Los Angeles to Ashland in 1988 to sculpt the Street Scene commission, her large sculpture downtown front of the Chamber of Commerce office on East Main Street at Pioneer Street. She was literally surrounded and inspired by the cauldron of creativity at Oregon Shakespeare Festival (OSF). For four years, her studio was within the Old Scene Shop at OSF.

As she was sculpting Street Scene, she was also working on another sculpture called The Journey. As with Street Scene, most of her models for The Journey were from the OSF acting corps. Young worked in clay. She spent many hours sculpting the likeness of each of her models. Two of her models I spoke with described four to six “sittings,” usually for an hour or two each time.

Archetypes of the journey of life

Young wrote: “Each of the 12 characters that circle this sculpture is a representation of one of the archetypes of the journey of life. If these figures have life, they will be projected upon by the viewer, in a non-verbal experience of the heart.”

Young was influenced by the work of psychologist Carl Jung, who developed the theory of archetypes. Jung believed that key images and themes appear with similar meanings in many different cultures. He called these universal themes archetypes.

The Journey rediscovered

Sadly, Young was not able to complete The Journey. Early dementia caused her to stop sculpting in the mid-1990s. It was about 90% complete at the time. Unfinished, it ended up in the basement of her friend Margaret Sinclair’s house for 25 years.

In July 2019, local businessman and art philanthropist Matthew Haines learned of The Journey from Marion’s niece, Robyn Michele Jones. Haines had been Young’s friend for many years, both during her sculpting years in Ashland and also during her illness. Jones put him in touch with Sinclair. Haines rescued the unfinished artwork and brought it to experienced local sculptor and bronze artist Jack Langford.

Jack Langford (right) and Kevin Christman pour 2,000-degree liquid bronze into molds for The Journey. It is more dramatic after dark. Peter Finkle photo

Langford took on the challenge of working with fragile, 30-year-old clay and making it ready for bronze casting in his studio. He also completed sculpting the unfinished character of Mephistopheles, who represents our dark side. Because of the complexity of The Journey, Langford had to create 35 molds of the clay sculpture to capture all of its exquisite detail in bronze.

A detail of The Journey showing the figures, clockwise from top right, of The Hero, The Young Boy, The Joker, and Mephistopheles. Ashland.news photo by Bert Etling
Who modeled for Young in The Journey?
Here is an overview of The Journey. Note that it is a 360-degree sculpture, so it is best seen in person. Peter Finkle photo

Here are the archetypal characters as Young named and described them in her description of the sculpture. Words in quotation marks are from Young; other comments were added.

• “The Young Boy: A Magical Child, the part that knows everything. Model: Reid Beels.” Beels modeled for The Journey when he was just 6 years old.

• “The Joker: A wise part and one that keeps us from getting too serious — there is always a waiting banana peel. Model: Patrick Page.” Page was an OSF actor in 1990 and 1991. He went on to Broadway, where he has starred in numerous shows, including “Beauty and the Beast” and “The Lion King.”

• “The Bosomy Lady: Our earthy, sexual self. Model: Gretchen Rumbaugh.” Rumbaugh modeled for Young in 1990, Rumbaugh’s last season at OSF. That year she played the seductive, earthy and sensual daughter of the Troll King in the production of “Peer Gynt.” After seeing the play, Young asked Rumbaugh to model for her in the costume she wore in the play.

A view of The Journey, showing the figures (from top) of The Wise Old Man, The Hero, The Queen, The Warrior Woman, and The Young Girl. Ashland.news photo by Bert Etling

• “The Queen: The dignity of parenting. Model: Catherine Coulson.” To people in Ashland, Coulson was a beloved member of the OSF acting company for 22 years, until her death in 2015. To the rest of the country, she was most famous for being the Log Lady in the TV show “Twin Peaks.”

A detail of The Journey showing the figures of The Warrior Woman and The Young Girl. Ashland.news photo by Bert Etling

• “The Young Girl: The writer of the script. Model: Zohar (Zoey) Sirinsky.” Zoey is the daughter of Catherine Coulson and Rabbi Marc Sirinsky.

• “The Warrior Woman: Power. Model: Megan Cole.” “Liz” Cole acted at OSF several times, including in the early 1990s when Young was sculpting The Journey. She also had a television acting career between 1984 and 2008, including spots on “Seinfeld,” “ER” and “Star Trek.”

• “The Dragon: In mythology, the Hero or Heroine must always fight or outwit the Dragon in order to leave the kingdom on their journey. We often create ‘dragons’ when we venture beyond the boundaries of our own inner kingdoms, so the Dragon is a symbol of our fear of the unknown and the guardian of the unconscious.” Model: a dragon, of course.

A detail of The Journey showing the figures of, from top, The Wise Old Man, Ariadne The Heroine, and The Troll. Ashland.news photo by Bert Etling

• “The Troll: (or the Hag) The unexpected, ugly little person who gives us the perfect advice or object for our journey. This is our least-liked self, sometimes the bane of our existence, which is always our best teacher. Model: Sandy McCallum.” McCallum began acting at OSF in 1989, and retired in 2005. He died in 2008 and was eulogized by Tony DeBruno as “an actor’s actor.”

• “Ariadne: The Heroine, the Creative, the Muse. Model: Alison Grant.” Grant cofounded Actors’ Theatre, now known as Camelot Theatre, in 1982, and was artistic director there in the 1990s.

• “Mephistopheles: Our dark side. Model: Shawn Galloway.” Galloway acted at OSF between 1992 and 1996.

• “The Hero: A Parcifal-like figure, taken from a time of confusion, when he did not quite know how to be a hero. Model: Rex Rabold.” In Arthurian stories and Wagner’s opera, Parcifal — or Percival — was a “pure fool,” an innocent young man who searched for the Holy Grail and gradually learned wisdom about the world and about himself through the process.

• “The Wise Old Man: The state of consciousness, the awareness, that we hope we become at some stage of our journey — or at the end — that we are all the parts and they are us. Model: Rex Rabold.”

Marion Young on Rex Rabold

Rex Rabold modeled for both the Hero and the Wise Old Man. A beloved OSF actor for nine seasons, Rabold died in 1990 at the age of 39. What Marion Young wrote about working with Rabold is so moving that I will share some of it here. “I take a person into myself whole when I work — that is my own strongest intuitional channel. I was always so profoundly impressed to see how multi-leveled Rex was, how true and powerful and simultaneous each layer of his being was. … I simply have never known a human being who was so deeply honest.”

Concluding thoughts about The Journey

Marion Young envisioned a sculpture that would capture the essence of our human journey through the challenges, ups and downs, and growth process in life. She was not able to complete the sculpture and it languished in a friend’s basement for 25 years.

Then, with encouragement and financing by Haines, Langford transformed it into a shining bronze that captures the touch of Young’s hand on the long-ago malleable clay. The bronze shows every nuance of the faces and figures she created in her depiction of life’s journey.

Here is the lovely setting for The Journey. Peter Finkle photo
Where you will find The Journey

The Journey was recently installed at 51 Water St., just one block from the Ashland Plaza. Behind a parking lot and across Ashland Creek on the west side of Water Street is the Blue Giraffe day spa. You will find The Journey in a park-like setting here, with the soothing sounds of Ashland Creek as a soundtrack to your viewing.

Peter Finkle writes about Ashland history, neighborhoods, public art and more. See WalkAshland.com for his Ashland stories.

Aug. 8 update: Misspelling of Alison Grant’s first name corrected, and specificity added about her involvement in local theater.

Jack Langford (right) and Kevin Christman pour 2,000-degree liquid bronze into molds for The Journey. Peter Finkle photo

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Bert Etling

Bert Etling

Bert Etling is the executive editor of Ashland.news. Email him at betling@ashland.news.

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