The play takes on a deeper meaning in the current political climate
By Lee Juillerat for Ashland.news
The tale of Robin Hood has always been about a heroic outlaw who fights the rich to give to the poor. But in the context of the current times — with the killings and beatings of protestors by federal agents — “Ken Ludwig’s Sherwood: The Adventures of Robin Hood,” takes on a deeper meaning.
When Robin vehemently insists, “Our people deserve to live without fear in a society that protects them!”, it echoes sentiments reflected nationally of the recent murders in Minnesota and growing chain of protests.
“Sherwood,” which recently opened at the Oregon Cabaret Theatre, is a complex play. It’s relevant, serious and soul-searching. But even during several of its tense moments, it surprises with belly-laughing humor or, other times, is sprinkled with fairy dust-like romance.
The incredible cast features Nick Ferrucci as Robin Hood, who deftly brings his character to life. In the opening scenes Ferrucci is an awkward, stumbling young Robin with large, wide eyes that pop, swirl and sweep around his surroundings. But as the play develops, so does Robin. He matures as a man, a man of fortitude and morals.
Likewise, the entire cast sparkles, especially Alex Boyles as the Sheriff of Nottingham, Scott Ford as Friar Tuck, and Maya Mays as Maid Marian. Also inhabiting their characters are Jeremy Lee Thompson as Sir Guy, Kevin Stevens as Little John, Rick Wasserman as Prince John and King Richard, Thilini Dissanayake as Doerwynn, and Braydon Simmons in multiple roles.
Directed by Rick Robinson, “Sherwood” is carefully designed and coordinated, from the impressive castle where the play opens to dramatic sword fighting scenes that feel uncomfortably real.
But Ludwig’s script also creates giggles. There are “where-did-they-come-from?” Shakespearean references by Prince John, who is bewildered and bedazzled after declaring epic lines like, “All the world’s a stage …My God, that was almost perfect. I should be a poet.”
Likewise, Friar Tuck sprouts frequent growls and utterings that, because of his delivery, are penetrating and chuckle-inducting. When he, Robin and their friends are attacked by Prince John, who threatens to burn their castle unless they surrender, Tuck barks in reply, “I see a rat-sucking work who eats maggots for breakfast, has rotting teeth and whose nose is falling off in pieces because of the syphilis.”
All in all, a combination of elements creates a magical, meaningful atmosphere. Set in 12th century England, at its core “Sherwood” is timely and appropriately described as being “about fighting for what your conscience requires.”
The theme is reinforced when Robin asks his followers to accept an oath, “Do you swear to help those in need and to protect the poor with compassion and grace? To feed the hungry, clothe the naked and shelter the old and the sick? To fight oppression and remain firm in our love of a free country for ourselves and our children?”
Even more, it’s impossible to not be impacted by the play’s parallels with real-life happenings. After the slaying of a friend, Robin insists, “But if we let this outrage go unavenged what are we? Cowards. And I would happily be called a coward if it would lead to peace. But I know these men of greed, and they will take everything that we hold dear, our lands, our voices, and our freedom, if we do not stop them.”
At any time, “Sherwood” quietly but firmly projects a message of caring and compassion. But in the realities of happenings in recent months, the story of Robin Hood is disarmingly relevant.
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If it were a movie, “Sherwood” would be rated PG for onstage fighting, mild course language, and adult situations.
“Sherwood” runs through Sunday, March 29, at the Oregon Cabaret Theatre in Ashland. Thursday, Saturday and Sunday matinees begin at 1 p.m. with evening performances beginning at 8 p.m. on Thursday, Friday, Saturday, Monday, and select Wednesday nights.
Reservations are required for pre-show dinner or brunch. Appetizers, cocktails, beverages, and desserts are available without reservations. Tickets range from $32 to $59. The Cabaret offers a 15% ticket discount for groups of 12 or more for select ticket types and performances. $15 student rush tickets can be purchased 30 minutes before curtain with a valid student ID, subject to availability. For additional information, or to purchase tickets, call the Oregon Cabaret Theatre box office at 541-488-2902 or visit oregoncabaret.com.
Email freelance writer Lee Juillerat at [email protected].
